beginningless endless, is the catalogue for Michele Ciacciofera‘s exhibition at the Musée d’art contemporain de la Haute-Vienne-Château de Rochechouart (19.05 – 15.12 2021).
Introduction by Sébastien Faucon
Texts by Valérie da Costa, Bonaventure Soh Bejeng Ndikung, Roberta Garieri, Morad Montazami and Michele Ciacciofera
Graphic design: Julia, Rome
Exhibition views: Aurelien Mole
Publication: July 2021
Trilingual volume: French / English / Italian
Hardcover 21 x 29.70 cm
338 p., 250 ill. col.
Zamân Books & Curating in co-edition with the Musée d’art contemporain de la Haute-Vienne-Château de Rochechouart
This publication was produced with the participation of: Fondazione di Sardegna, Loreto Immobilier, Marco Sormani, Giancarlo Ciacciofera, Galerie Michel Rein (Paris/Bruxelles), IOOS Trento.
The title of the exhibition and of the book “beginningless endless” resonates with the quote from Montaigne (Les Essais). But also with the artist’s attachment to the Mediterranean territory – a space of possibilities with fluid borders. Finally, with the heightened sense of metamorphosis and hybridization that characterizes Ciacciofera’s work.
Documenting the last ten years of activity of the Italian artist, the book highlights his major contribution to the reconstitution (and the claim) of a transmediterranean imagination. Its visual and poetic expression extends to many areas and practices, linked to craftsmanship and popular theatre, ancient architecture, mythological concepts, symbolic or even esoteric codes. During his life Michele Ciacciofera travelled the whole earth, guided by the tropism of the South and cultivating the spirit of cosmopolitanism. His paradoxically “inhabited” peregrinations are so many opportunities to immerse oneself in an ecosystem and to let his creative process hybridize at its contact. They echo anachronistically with the multiple invasions that shaped the artist’s native land, Sardinia: Greek, Roman, Arab, Carthaginian, Spanish… All of Ciacciofera’s travels reflect the permanent record of the multiple archaeological sites visited, probed stones, deciphered alphabets, which dot the artist’s works with their ghostly presence. He creates like an archaeologist who, having examined an infinite number of objects in all materiality, finally resolves to search for their lost aura, rather than their purely tangible existence.